You might think that a novelist who works in more than one language would want language itself to become conceptual, ...

Given what it sets out to do, it’s hard to fault The Thursday Murder Club. The sentences flow smoothly, the jokes ...

I t had been ​ twenty years since my last research trip to the British Library when, in November last year, I received an ...

The polycrisis that is unfolding demands not a return to the status quo but urgent, progressive answers both at home ...

As peripatetic​ as he was, Fred Sparks, who was then a foreign correspondent for the Chicago Daily News, didn’t cover the ...

The first hour of Anora, Sean Baker says, belongs to the genre of romantic comedy. This makes interesting sense if ...

‘We die! You make money!’ was one of the slogans that HIV activists chanted at the New York Stock Exchange in 1997 in protest at pharmaceutical companies whose high drug prices had barred millions of ...

Jamelle Bouie is a columnist for The New York Times. Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon ...

At PPG Paints Arena in Pittsburgh on 4 November, teams of ushers were handing out signs that said: ‘Trump will fix it.’ They didn’t allow homemade signs because it was a safety risk, they said, though ...

‘Even blindfolded,’ Emanuel Litvinoff wrote of the interwar East End in Journey Through a Small Planet (1972), ‘I’d have known where we were by the smell of the different streets – reek of rotten ...

In 1928, the V&A acquired a previously unknown portrait. It shows the Black Jamaican polymath Francis Williams (c. 1690-1762), dressed in a wig, surrounded by books and scientific instruments. In all ...

Music critic Ian Penman is back with a pioneering book of essays alluding to a lost moment in musical history ‘when cultures collided and a cross-generational and “cross-colour” awareness was born’.